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Chasing Aphrodite: The Hunt for Looted Antiquities at the World's Richest Museum
PDF Download Chasing Aphrodite: The Hunt for Looted Antiquities at the World's Richest Museum
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From Publishers Weekly
Starred Review. In an authoritative account, two reporters who led a Los Angeles Times investigation, reveal the details of the Getty Museum's illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. In 2005, the Italians indicted former Getty curator Marion True for trafficking in looted antiquities, and by 2007, after protracted negotiations, the Getty agreed to return 40 of 46 artifacts demanded by the Italian government; Italy in turn agreed to loan the Getty comparable objects. One of the major pieces lost by the Getty was an Aphrodite statue purchased by True to put the Getty on the map. But still eluding the Italians is the Getty Bronze, a statue of an athlete hauled out of international waters in 1964 by Italian fishermen; it was the prized acquisition of the Getty's first antiquities curator, Jiri Frel, who brought thousands more looted antiquities into the museum through a tax-fraud scheme. The authors offer an excellent recap of the museum's misdeeds, brimming with tasty details of the scandal that motivated several of America's leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars. 8 pages of b&w photos. (May) (c) Copyright PWxyz, LLC. All rights reserved.
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"America’s great art museums are the last sacred cows of our culture. It takes a special sort of intrepid investigator backed by a courageous organization to uncover the secrets and lies of these quasi-public institutions and the private agendas of their wealthy and influential patrons. Chasing Aphrodite is the result of one such rare convergence. A scary, true tale of the blinding allure of great art and the power of the wealth that covets it, it is also an inspiring example of the only greater power: the truth."- Michael Gross, author of Rogues’ Gallery: The Secret History of the Moguls and the Money That Made the Metropolitan Museum"A thrilling, well-researched book that offers readers a glimpse into the back-room dealings of a world-class museum--and the illegal trade of looted antiquities. Chasing Aphrodite should not be missed. " –Ulrich Boser, author of THE GARDNER HEIST: The True Story of the World's Largest Unsolved Art Theft"Chasing Aphrodite is an epic story that, from the first page, grabs you by the lapels and won’t let go. Jason Felch and Ralph Frammolino have penetrated the inner sanctum of one of the world’s most powerful museums, exposing how its caretakers – blinded by greed, arrogance and self-deception – eagerly tapped international networks of criminals in pursuit of the next great masterpiece. It is a breathtaking tale that I guarantee will keep you reading late into the night. - Kurt Eichenwald, author of CONSPIRACY OF FOOLS: A True Story"Chasing Aphrodite is a brilliantly told, richly detailed, and vitally important account of how one of America’s top cultural institutions spent millions buying treasures stolen from ancient graves and then spent millions more trying to deny it. In the hands of Felch and Frammolino, the story gathers a riveting momentum as the Getty moves from one ethical smashup to another. The authors present an astonishing array of evidence, yet they are scrupulously balanced and keenly sensitive to the nuances of the cultural-property debate. Even if you think you know the story of the Getty, read this book. You won’t know whether to laugh or to cry, but you will be enthralled." --Roger Atwood, author of Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World
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Product details
Hardcover: 384 pages
Publisher: Houghton Mifflin Harcourt; First edition (May 24, 2011)
Language: English
ISBN-10: 0151015015
ISBN-13: 978-0151015016
Product Dimensions:
6 x 1.3 x 9 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
97 customer reviews
Amazon Best Sellers Rank:
#92,663 in Books (See Top 100 in Books)
I base my review on the text itself but the Kindle edition is a disgrace.This was a fascinating look into the issue surrounding the return of looted classical art work purchased by the Getty over the years. It is well written and develops a good chronological timeline as well as insight into the personalities involved that was not readily apparent if you read only the newspaper accounts. I would agree with most of the four- and five-star reviews here on Amazon.For Kindle customers I have this to add: this digital edition is a disgrace; I have notified Amazon. There are numerous editing errors, none of the photos are included, and there was no indication until I got to the end of the text that there were interesting and informative notes. In the "Notes" section there were two types of indicators for the notes, some linked back to the text and some did not. Some notes were preceded with this symbol "[>]" in front of the note, which links back to the text; others merely had what appears to be a page number in front of the note but the number did not link back to the text nor did the digital edition provide page numbers! Truly a disappointment.
I NEVER knew museums were into such skulduggery ! I always assumed that with their cultured airs they were cultured people of cultured tastes and impeccable standards.This book was an amazing education on how museums come by their valuable collections. This book centers on a particular scandal however, it is hard to imagine that this does not continue to some degree today.The looting of antiquities to fill the worlds' leading museums and the originating countries' fights to get the items back is a riveting read.Most museums required "incontrovertible " absolute proof of an item's being looted and sold through the black market before they would give it back to the requesting country. It was noted that this is tougher proof than is required for a murder trial ! Acquiring the treasured item....not so much proof needed. Giving it back.......more proof needed than to convict a murderer ! Amazing.It's a great read. Highly recommend it even if you're not a museum buff and familiar with all the antiquities being discussed.
The stories of illegally excavated art investigated in this book span decades of smuggling, legal battles, and near constant prevarication on the part of museums. It's a fascinating look at corruption and hypocrisies in museums, all the more interesting and surprising (to me, at least) because I wasn't familiar with these pieces of art or the Getty's legal woes before picking up this book.When one thinks about it, it's not remotely surprising that many of the antiquities displayed around the world in museums are looted or illegally exported, given the historical plunder of source countries. What's surprising is the complicity of museums, and the lengths to which the world's leading museums went to protect their acquisitions' veneer of legitimacy. The Getty and other museums used their missions of public education as an excuse to build prestige by acquiring looted antiquities, all the while declaring their devotion to legitimizing the antiquities trade.It's an amazingly well researched book. Complicated import/export laws, museum policies, and foreign legal proceedings are explained in a way that is easy for someone completely unfamiliar, such as myself, can easily follow.
Wow - reads like a thriller and packed full of information. Not only does the author expose the ugly history of looted antiquities, but he skillfully sets forth the historical conundrum. If some of the antiquities had not been preserved in American and European museums they might not have survived war and destruction. But shouldn't countries have a right to their patrimony? Even now, archeological and cultural items are being destroyed in Iraq and Syria. The brilliance of "Chasing Aphrodite" is that it puts the issues in historical context and doesn't settle for an easy answer. He tells the story through the characters and highlights moral failures of the characters. Bravo for telling the story, weaving a thrilling tale, and focusing on the broader issues. Thank you! I will never visit a museum again without thinking of this book.
The desire to acquire stuff must be one of those human traits right up there with the need for food, shelter and sex. This book seems well-researched work (if over-stuffed) on the backstory of acquisitions at the Getty in particular and museums in general. Some of the people featured in the book are indelibly linked, for good or for ill, to the museum's collection (and there is much controversy and more than one side to what's presented here). The lust to acquire by individuals and organizations fuels the looting of artifacts and the market for forgeries. On a recent docent-led tour at the Met I heard a docent remark "We have one of the best collection of Egyptian artifacts outside Egypt. And we don't have to give any of it back! " Point taken.
I was amazed at how many elite museums in the U.S. were involved in buying looted art, which is most likely still going on to some extent. This book was an outgrowth of investigative reporting and subsequent series in the L.A. Times. Interesting characters and well written. Makes me want to go back and read “House of Getty†again.
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