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, by Peter Guralnick
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Product details
File Size: 322172 KB
Print Length: 796 pages
Page Numbers Source ISBN: 0316332224
Publisher: Little, Brown and Company; 1st edition (December 30, 2014)
Publication Date: December 30, 2014
Sold by: Hachette Book Group
Language: English
ASIN: B005AKZEHE
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This is THE Elvis biography to read. Peter Guralnick is incredibly responsible in his research and in what he chose to tell. He's careful about not repeating unsubstantiated gossip, yet gives you a good feel for Elvis's profound difficulties in his relationships with others, and, really, himself. This second volume is heartbreaking as we see Elvis less and less able to use and enjoy the talent and world of music that, from the first volume, we know is his true calling and true joy. Elvis was damaged in ways from very early on; Guralnick shows us how his drug use greatly exacerbated difficulties that were already there, and led to a severe decline in his health. But he does so with respect for the human being and a great love of music and appreciation for Elvis's essential love and understanding of music. It's a tragedy, but Guralnick never resorts to being exploitive. This is an extremely well-done biography.
Careless Love, the second half of Guralnick's excellent bio of Elvis, is much harder to stomach than Part 1, due to the subject matter. Where Part I, Last Train to Memphis, told the story of Elvis during his glory years and rise to stardom, when he was literally on fire, Part II, especially the latter sections, is virtually the depiction of a prolonged death march. Elvis descends into drug dependency, mental instability, financial insecurity, decline of record sales and popularity, and hastily thrown together, financially motivated tours, combined with his getting fat and fuzzy and ill-fated love affairs. Elvis's inevitable death sitting on the toilet in Graceland while trying to defecate really comes as no surprise. However, as sad as all that is, Guralnick's portrait allows us to empathize with a really human Elvis, who, once a god, disintegrates into a jumpsuited pile of self loathing, self-pity and self-destruction. The reasons for this are many and Guralnick exposes them all: the death of his mother, so called friends and family who use him for his money, the Colonial mercilessly trying to push Elvis product, no matter the cost to Elvis himself, an apparent predilection for feeling "high", Feelgood "doctors" who provide Elvis with crazy amounts of "prescribed" drugs (the toxicity report stemming from the autopsy is disgusting), and a self-loathing that equals anything in Shakespeare's great tragedies. Elvis really had no one to blame but himself for what happened-as this book makes clear. But the book also makes clear the price he pays for the otherworldly success he experienced in the first Book, in which he was depicted, rightly so, as a virtual god, and treated as such by fans and those around him. The sad thing is that the book really gets across that what really mattered to Elvis was the music and his ability to communicate through music and his performances with fans, and as his ability to do so diminished over time, for all the reasons mentioned above, his own self worth and will to live diminished as well. Elvis went from the heights of fame and fortune, and ended up by the end of this book as an overweight, delusional, whining mess who ends up dying while defecating laying in the bathroom in a pool of his own vomit. Not pretty stuff folks, and the book doesn't flinch or shy away from the grim reality that Elvis ended up experiencing. One can point to the Memphis Mafia and the stupid "tell all" book they wrote that precipitated and possibly even hastened his death (what kind of "friends" would do that to someone? and I don't buy their BS excuse that they sold the book in order to "help their friend, who otherwise wouldn't listen to him", come on, complete bull), or the Colonial who really could care less for Elvis as a person, or for anyone else for that matter as this book makes clear, (see the "Colonial's" treatment of his own family), or Ginger, his last "girlfriend" who comes across as self-serving and motivated by her family to "marry him quick before he dies" for his money, or even his dad Vernon who was ineffectual in truly being there for Elvis emotionally and was clearly on the gravy train as well. But ultimately, Elvis was responsible for Elvis. And he simply could not handle being a mature person, couldn't handle growing old. Sad. But this is a great book, well researched, well written, and sad as it is, the depth and skill of the writing allows us to really feel for Elvis. Its just too bad that those around him seemed to never have really loved him as a person. His music, legacy and influence will stand the test of time. I think it is time for a re-evaluation of Elvis the artist. Sinatra and others have experienced revivals of their music, and I think Elvis's time will come, once the caricatures and jokes disappear.
The detail of this book is deep. Mr. Guralnick is very meticulous in his chronology of events thruout Elvis' life and if anything was missed, Ijust can't imagine. Lots of new info I gleaned from this obviously well researched book . I am a true fan of Elvis Presley. This book reflects on the good and bad.. It did not change my love for this man/entertainer one bit. The one thing that is very clear in this book is that there were so many people that took advantage of him, and that is so sad and hard to accept. Perhaps if he had not had so many "hanger oners" his life wouldhave taken a different turn. It actually explains , in my opinion, why Elvis' life was cut so short. I willalways love him and his music.
Unlike the Goldman Bio in 1980 this is not a character assassination. The truth though lies somewhere between the two books; in the Guralnick version for instance Elvis's incontinence is treated as an aberration. Gold seemed to treat it as an ongoing condition because of the massive doses of pain killers Elvis ingested. It then becomes a question of perspective. While Guralnick seems to present the King as someone who was totally overwhelmed by his circumstances Gold looks at in terms of moral decay: a kind of modern day King Midas who was delighted at first with the powers he was given but ended up choking on them( yes literally in a ironic real sense too). Having said that it shows what can happen when you no longer have the burdens and some would say blessings of an ordinary life. Eat when you want play when you want remove all the constraints of a ordinary citizen. He was helped along the way with the clichés of the "Hollywood Physician " syndrome that ended Michael Jacksons career as well. So now after 650 pages I will go back to what drew me to him in the first place the Sam Phillips recordings with the Sun Label Rooster decal and remember the magic of That's All Right Mama and Heartbreak Hotel and celebrate the blessings of being part of the madding crowd...
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