Jumat, 17 Februari 2017

Free PDF Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy

Free PDF Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy

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Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy

Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy


Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy


Free PDF Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy

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Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy

Product details

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Audible Audiobook

Listening Length: 1 hour and 38 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Author's Republic

Audible.com Release Date: March 7, 2019

Language: English, English

ASIN: B07PDHDMMZ

Amazon Best Sellers Rank:

Great information and perspective

Ok it is a short book, but you would expect to get something from it, it loops around in nonsense and stating the brain is the most powerful machine in the universe and not being clear on how to actually work with neuroscience and neuroplasticity. waste of time and money.

Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy PDF
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Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy PDF

Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy PDF

Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy PDF
Neuroscience of Mind Empowerment: Epigenetics, Neuroplasticity, Meditation, and Music Therapy PDF

Jumat, 10 Februari 2017

Ebook Free A Practical Guide to Stage Lighting

Ebook Free A Practical Guide to Stage Lighting

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A Practical Guide to Stage Lighting

A Practical Guide to Stage Lighting


A Practical Guide to Stage Lighting


Ebook Free A Practical Guide to Stage Lighting

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A Practical Guide to Stage Lighting

Review

'Any student or professional seeking to work as a lighting designer in theater or dance should read this book. I've been using this book since the first edition, as it's a wonderful tool for education. This book goes into the details behind the creation of a lighting design. The knowledge you gain by studying this text will free you to create art with your lighting, instead of being caught up in the mundane tasks required to execute a design.' Stephen Ellison, Lighting Systems Design Consultant 'Steven L Shelley has done it again. After reading the second edition of "A Practical Guide to Stage Lighting" (the only one of its kind), I didn't think there was anything else to say about technically creating a lighting design. Mr. Shelley has done it! He found more information and better and clearer ways to communicate his ideas. The added graphics help the reader to understand the writing, and they alone are worth the price of the book. He's gone into more depth -- when the reader is finished, they have a greater and clearer understanding of the process involved in creating a lighting design. They'll also have an easier time working through the process than anyone did before this book was written. The time Shelley spends with his own stories helps the reader understand why things are done a certain way. They make the reader understand he's a professional and not just someone who is writing a textbook for tenure. Overall, the third edition of "A Practical Guide to Stage Lighting" is a book that anyone interested in the process of lighting design must have on their bookshelf.' David Griffith, Educator and professional lighting designer '...the book presents further value in the latest incarnation. However, be warned...the sheer volume of professional gold within is more than one person can shovel in a sitting...This book could be subtitled "Everything Mr Shelley has ever experienced and thought about lighting in his long and illustrious career."...the whole book is an avalanche of practical advice, notes, tips, pro tips, detail, So much detail. This is the value right here, folks.' Rob Sayer, On Stage Lighting 'The beauty of A Practical Guide to Stage Lighting has always been that it takes the designer and brings them down to the nitty gritty.  The wonder of the third edition is that you now have expanded resources to communicate not only to the beginning lighting student, but to the 201, 301, and 401 levels as well.  I have students that carry this book through multiple levels of courses and by the end come out with an understanding that is unmatched in terms of executing a comprehensive design from top to bottom.  The expanded sections help clarify complicated concepts seamlessly.  I require this text in all of my lighting classes and the students get so excited to go to conferences and meet "the REAL STEVE SHELLEY" in person.  He's like a super-star to them and this insightful textbook is the reason.' Ruth Hutson 'Several months ago, I received a call from a university student wanting advice on a career in stage lighting...We discussed approaches to design and useful software, but when she asked what she should read to learn more, I recommended Steve Shelley's A Practical Guide to Stage Lighting, second edition. It was the best book I knew about how to light the stage and earn a living as a lighting designer. Now there is a better book: A Practical Guide to Stage Lighting, third edition...I would recommend it for any instructor teaching stage lighting at any level. There is a lot in this book that can stimulate thoughts about what a lighting design should be, how one goes about practically realizing a design, and about working as part of an artistic team in a venture that has to fit a budget...it would be a great gift any time of the year, whether for an ambitious student or for yourself.' Karl G. Ruling, Protocol 'The scope and breadth of the A Practical Guide to Stage Lighting, Third Edition make it equally useful for the emerging young designer needing reference material, the experienced professional looking for new perspectives, and the seasoned designer looking for new tips, reminders of shortcuts, or inspiration to be a little more organized and prepared for the task at hand. The examples of plots, sections, paperwork, cue masters, magic sheets, focus charts, and working drawings are excellent resources. The updates and expansions make A Practical Guide to Stage Lighting, Third Edition a valuable addition to your theatre library, even if you have a previous version of the book.' Ellen E. Jones, Lighting & Sound America "A Practical Guide to Stage Lighting (Third Edition), by Steven Louis Shelley, has long been a standard text and reference on preparing lighting designs and creating the paperwork needed to mount a production. In the latest edition, Shelly...zeroes in on communication skills, adding ideas (and checklists) for efficient and productive meetings with both management and creative teams. Also new are 'Shelley's Periodic Table of Fundamental Lighting Systems, ' plus ground plans, sections and front elevations that demonstrate basic system wash configurations for each direction of light. Particularly useful is his explanation of a manufacturer's information sheet and how to determine the beam size, foot candles and gel transmission for various lighting instruments." Stephen Peithman, Stage Directions

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About the Author

Steven Louis Shelley has worked in theatre for over 40 years as a lighting designer, production manager, and stage manager in New York City, throughout the United States, and on four continents. His lighting designs are included in the repertories of many dance companies. He's designed lighting on Broadway, Off-Broadway, as well as concerts, television, regional theatre, and regional opera. Steve is also the inventor and patent holder of the award-winning Field Templatesâ„¢ and SoftSymbolsâ„¢ (www.fieldtemplate.com). He is a member of United Scenic Artists, Local 829.

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Product details

Paperback: 592 pages

Publisher: Routledge; 3 edition (October 27, 2013)

Language: English

ISBN-10: 0415812003

ISBN-13: 978-0415812009

Product Dimensions:

8.5 x 1.2 x 11 inches

Shipping Weight: 3.5 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#439,171 in Books (See Top 100 in Books)

A very complete and well-organized guide to contemporary stage lighting practices. Lots of forms and particulars for both experienced and less experienced members of the craft.

This is a beautiful book on stage lighting. It'd clear, concise, and at least for me showed a systematic way to light for the stage.I learned a lot from it, and learned somethings that I knew but didn't know why.

If you are learning lighting design, then you need this book. It's a no-nonsense and very detailed how-to. I use it more as a handbook than anything else.

I bought this book as a Christmas gift for my son who started college this year for lighting tech/designer. Very informative and interesting book. Like the pictures.

Good Reference!

excellent book for starter

wonderful book. Made of hours of theatres and years of experiences. I recommend this for learning and improving the skills in lighting design

great product.

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Minggu, 05 Februari 2017

Get Free Ebook The Red Book (Philemon)

Get Free Ebook The Red Book (Philemon)

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The Red Book (Philemon)

The Red Book (Philemon)


The Red Book (Philemon)


Get Free Ebook The Red Book (Philemon)

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The Red Book (Philemon)

Review

“This is a volume that will be treasured by the confirmed Jungian or by admirers of beautifully made books or by those with a taste for philosophical allegory.” - Michael Dirda, Washington Post

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About the Author

Sonu Shamdasani, a preeminent Jung historian, is Reader in Jung History at Wellcome Trust Centre for the History of Medicine at University College London. He lives in London, England.

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Product details

Series: Philemon

Hardcover: 404 pages

Publisher: W. W. Norton & Company; 1st edition (October 19, 2009)

Language: English

ISBN-10: 9780393065671

ISBN-13: 978-0393065671

ASIN: 0393065677

Product Dimensions:

12.3 x 2.3 x 18 inches

Shipping Weight: 9.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

378 customer reviews

Amazon Best Sellers Rank:

#50,322 in Books (See Top 100 in Books)

Before reading any further, note: This a review of the READER'S edition - and the Reader's Edition DOES NOT include the facsimile images (art and calligraphy) of the original "Red Book: Liber Novus." I suspect many of those who ordered the book unaware of this will be surprised and disappointed. This distinction was not made clear in Amazon pre-publication information. If you wish to see the original book in all its visual glory, pay the price and order the complete folio-sized facsimile edition.So, why then publish, and why purchase, a "Reader's Edition"? Why is the this edition important, even essential?Because the text of "Liber Novus" (as Jung formally titled his "Red Book") is really more important than the art. Jung experienced and recorded his visions and then composed his draft manuscript of Liber Novus before beginning on the art. The art and calligraphy came later, they were composed over the following 16 years or so. The text - compiled principally between 1914 and 1915, with a last section added in 1917 - is Jung's primary record of his extraordinary odyssey across the threshold of consciousness, and into the heart of mythopoetic vision. As he said: "This inner world is truly infinite, in no way poorer than the outer one. Man lives in two worlds." This is the journal of Jung's exploration of the inner world - and it ranks as one of the most important journeys of exploration in the record of human exploration. Dr. Shamdasani, who spent thirteen years editing Liber Novus for publication, has strongly suggested that one should read the text before even looking at the images. I agree.If you are ready to start that reading, there is another reason this "Reader's Edition" is an essential purchase: the big folio edition of "The Red Book: Liber Novus" is huge and physically very difficult to read. Holding it on your lap, or finding a way to prop it up and read it, is a painful task. God have mercy if you wear bifocals! This edition is formatted in a normal book size, and allows a more comfortable reading experience (if reading Liber Novus can ever be a "comfortable" experience). You will not be disappointed with the beauty of this smaller edition; it is bound "bible style" in soft faux leather with rounded corners, and printed using three colors of ink to add the distinctions in headings and text (this replicates the style of the folio edition). And of course, there is a marker ribbon sewn into the binding. I have no idea how such a finely crafted book can be sold at this price.But the text is much more difficult to meet than is the beautiful art. The calligraphy and artwork are immediately stunning, even overwhelming. I know - based on the several seminars about Liber Novus I have taught over the last three years - that most people simply never make it past this visual experience; they do not read Jung's account of what happened to him between 1913 and 1916.What confounds 
the reader now is the same 
issue that confronted Jung 
then: Though imaginative, 
mythic, apparently fictive, and ultimately subjective, what Jung met in his wanderings spoke with the voice of an objective fact. It was independent, ineffably ancient, and yet intimately and synchronously involved with human history. He perceived it as real, and the story it told had the tenor of a revelation. Without some introduction, some guiding insight into what the man was doing, most readers become quickly disoriented.To guide your first journey through Liber Novus, I highly suggest you start by reading (again) Jung's biographical memoir, "Memories, Dreams, Reflections." At very least, study again Chapter 6, "Confrontation with the Unconscious." Then closely read Shamdasani's very fine introductory essay that prefaces Jung's text in this Reader's Edition. Next, get Dr. Shamdasani's beautiful new book, "C. G. Jung: A Biography in Books" - you will see my full review of that volume on the Amazon product page. After that, there are several hours of free lectures online from my seminars on Liber Novus. Thousands of people have them found useful, and you can find them easily by searching online for "The Red Book Lectures" or "C.G. Jung and the Red Book."Then, read. Take it slowly, give it deep consideration. It is quite a journey.

Reading reviews on the book I get the impression most view it as a story or a fantastical tale told from a troubled mind, and only see it as this. But it can be viewed differently, from the right mind-set. To me it is all, every sentence and experience told a metaphor for everyone's journey in life. Reading from beginning to end is like taking down the structure you've built your life upon subconsciously, and rebuilding it using tools and ideas of a finer quality, adding to with your own learned methods, if you have any, that you know to work as well, and discarding of the tools you used before that you thought worked well, but realize you only used because you knew of nothing else, or were too stubborn to use anything else. It can be read as a fantastical story, or as insight into the beginnings of Jung's later scholarly works. Or it can be read as Walden, or Thus Spoke Zarathustra, or the Bible can be read. Your mind-state determines your interpretation of it. And you may get different meanings as you read it in different periods of your life.

Absolutely beautiful drawings, a true ART book. Purchased because I cannot read German.I had bought the smaller ‘American edition’, and was very disappointed because it only has a few of Jung’s drawings and those look like they were done by a 3 year old. The book itself is worth reading.After I found out that that edition did not have Jung’s drawings I decided to go ahead and spend the books for the true edition. I found out that it does include the ‘American’ translation as well.The drawings, They are fantastic, so beautiful. Read how he created his own colored inks, by grinding.I’m astounded by the drawings and his ability to come up with a totally new type of psychology.It amazes me how much time it must have taken to just create this book with its drawings and yet, work as a psychologist, go to conferences, write for publications, have a family, as well as having interests in other things such as Alchemy and Spiritual Paranormal.Well, I’ll end with saying the book is amazing as well as the man behind it.

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