Free Ebook Sex Matters, by Osho

Free Ebook Sex Matters, by Osho

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Sex Matters, by Osho

Free Ebook Sex Matters, by Osho

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Review

"Sex Matters rediscovers the human and rewards rather than punishes one for being in that state. It is a wondrous revelation that will give peace, confidence and courage all at the same time.""Sex is your only energy, it is life energy.""[Sex Matters] links sexuality to transcendence, insisting that sex is important for both physical and mental well-being."

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About the Author

Osho is one of the most provocative and inspiring spiritual teachers of the twentieth century. Known for his revolutionary contribution to the science of inner transformation, the influence of his teachings continues to grow, reaching seekers of all ages in virtually every country of the world. He is the author of many books, including Love, Freedom, Aloneness; The Book of Secrets; and Innocence, Knowledge, and Wonder.

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Product details

Paperback: 336 pages

Publisher: St. Martin's Griffin; First edition (July 11, 2003)

Language: English

ISBN-10: 0312316305

ISBN-13: 978-0312316303

Product Dimensions:

5.6 x 1 x 8.3 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#305,002 in Books (See Top 100 in Books)

Osho has always put things in beautiful perspective for me. This book is nothing short of this, it goes into our cultural paradigm that gives sex a negative association and how that affects our behaviors. The book came in brand new condition. Its not heavy so it is convenient to bring with for a thoughtful read to question our mundane life views. My friend had the newer version of this book, which was shorter and larger print and quicker of a read. I enjoyed this version more because it has enough content to get see how Osho expands in different topics which was very insightful.

Take your sex-life to the next level. A spiritual connection in sex makes an exponential difference. It is well-written, does not come off as preachy, or too "woo-woo." Truly mind-blowing... in more ways than one!

Pretty good read. You have to be able to think outside of the box to follow along though.

We have to think over about this book.Sometimes easy to understand but not easy to digest.A completely different approach .

I'm only 3/4 of the way through the book, so take this with a grain of salt, but I really, really, LOVE this book. I mean, it's everything I've been looking for-and more. Osho explains things so simply. It's kind of like a how-to for sexual superconsciousness. Unlike one reviewer mentioned, he doesn't actually talk about sex not mattering. It's more of him saying that once you get to a certain point, you can achieve the same feeling as orgasm, without actually having sex.I'm almost done with it, but figured I had read enough to know that I love this book, and can't wait to purchase more of his works.

very good

This is a truly enlightening work of deepest wisdom. A lucid presentation of reality of human nature and the link between the physical (sexual) and the spiritual . the metaphor of the river of love connecting the two banks of physical lust and divine love is telling. This should be mandatory reading for all ages- Young adults onwards.

It's Osho. I have nothing negative to say

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Download Ebook So We Read On: How the Great Gatsby Came to Be and Why It Endures

Download Ebook So We Read On: How the Great Gatsby Came to Be and Why It Endures

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So We Read On: How the Great Gatsby Came to Be and Why It Endures

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Audible Audiobook

Listening Length: 10 hours and 40 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: September 9, 2014

Language: English, English

ASIN: B00NF7X81I

Amazon Best Sellers Rank:

Wonderful work! It made me review Gatsby yet again. While I disagree with some of her conclusions (Welcome to America! I like the Catholic school's assesment, being a Catholic schoolteacher myself), I found her insights into Fitzgerald's life and its effect upon his reading to be enjoyable and insightful. Very glad I purchased this! I will use it many times in the future while teaching my students.

Now I must read The Great Gatsby again, more than once if Maureen Corrigan is to be believed. And she does make a compelling case. Is it the perfect, best ever novel? I liked it a lot the twice I read it, but did not rate it that highly. However this is one of Corrigan's major points: no one appreciates it fully on first or even second reading. The very beauty and accessibility of Fitzgeralds prose can fill the reader's vision, excluding attention to the structural elements and layers of symbolism that Corrigan so elegantly lays out.

As an English teacher and as a long-time fan of Fitzgerald, I enjoyed and appreciated both Corrigan's very accessible scholarship/criticism and her more personal observations and experiences. What was presented and considered was sometimes new and exciting to me (such as Sylvia Plath's copy of Gatsby at the University of South Carolina), some was old----facts that any Fitz fan would already know (such as her mention of the "Gatsby cluster") and people in the author's life with whom we are all familiar: Max Perkins, Edmund Wilson, Ring Lardner, Sheila Graham and "frenemy" Ernest Hemingway. And I am not nearly so surprised as Corrigan about the absence of Fitzgerald's literary canon on many college and university syllabi. James Joyce and William Faulkner and Herman Melville still get their own seminar courses because they were, in my opinion, better and deeper writers. How can one compare The Great Gatsby to Ulysses, The Sound and the Fury and Moby-Dick? Beyond this, I found myself in alignment with much of what Corrigan said.I'll have to admit, though, that I was initially put off by Corrigan's intrusiveness (in the form of her own little journeys as a "literary voyeur." I felt like skipping pages of the book here and there. She continually inserts herself into the text and discusses her trips to the Library of Congress and to her old high school in Queens, and she tells us of her having lunch with some people who are of little interest to us. And yet, ultimately, this is what I most appreciated by the time I was finished with her book----which is neither literary criticism in the traditional sense nor autobiography/essay. Let's face it, we all get tired of the same approach to Fitzgerald. We get tired of the same repeated facts about the author's life, his work and his marriage to Zelda. I liked Corrigan's book because it's so personal and because it so lovingly appreciates what Fitzgerald tried so valiantly to be and to become---and because it reveals a love of the English language that all English teachers carry with them---a deep appreciation of the written (and spoken) word, including the way Fitzgerald appreciated it, working and re-working his text tirelessly and painstakingly. Corrigan is absolutely right: some of us will never fail to be profoundly impacted by the phrases and images of The Great Gatsby---yes, and those final five pages!Not to mention some of the responses to the novel that every English teacher has probably heard, including the one about Gatsby being a stalker!In short, this is not a difficult read. It's not complicated or complex or even very deep. But it is very informative and entertaining---and its heart is definitely in the right place. Corrigan certainly admires the novel's beauty and its lyricism, but she does not neglect the very important core idea that the book is really about the reality of class in America---and that it condemns---not celebrates--- mass consumerism.

What are best about the book are the author's authentic and moderately humorous voice and her unstoppable enthusiasm for her subject. Add to that a well-honed literary style, a zest for a good story, and a fascinating set of historical facts about one of America's favorite books, and it is hard to miss. I was so enthusiastic about it that I made an effort to meet the author and tell her this in person.

My book group read this in conjunction with The Great Gatsby. Corrigan's enthusiasm for her topic comes across the pages, leading me to imagine that she is a wonderful lecturer. The numerous details, history, and explanations of TGG enrich and enlighten readers of TGG. I would recommend this book to anyone reading TGG. However, Corrigan failed to convince myself or my friends that TGG is deserving of its acclaim. Clearly, she is a Gatsby groupie but her enthusiasm remains puzzling.

Fascinated as I am by all things Gatsby, Maureen Corrigan's SO WE READ ON was a captivating, insightful and promissory read for the first four of its six chapters. And then something happened in the final two chapters that ground the wonderful read to a virtual standstill. One could liken the first four chapters of the book to the Titanic - reading them was like taking a voluptuous voyage - and then the final chapters become tantamount to the collision with the iceberg. The voyage into the world of Fitzgerald and his masterpiece virtually end and give way, instead, to endless minutiae about the authoress' old schools and teachers and the history of the Armed Services Editions and needless details of her and Abby's adventures in the Library of Congress and then there is a laundry list of books and sources no more thrilling to wade through than the list of revelers and party-guests detailed in the most skipped-over passage in Fitzgerald's THE GREAT GATSBY. It is tragic, this sudden halt to the pleasurable proceedings. SO WE READ ON is a very good book that, sadly, doesn't make it to its final destination.I said earlier that the book was a promissory read. But just as Gatsby's dream did not come to fruition in the end, so to did a number of topics Maureen Corrigan hinted at in her text fail to materialize. Many times mentioned are the Gatsby films and a Gatsby ballet. But other than some detail with regards to the Alan Ladd version, nothing of substance whatsoever is developed regarding the Redford and DiCaprio versions - and there's not even a whisper about the 2000 A&E version. The wonder of it all is...why is there no discussion of any substance with regards to the cinematic Gatsby? The movies - most assuredly the Redford and DiCaprio versions - have had a powerful impact on the endurance of THE GREAT GATSBY. Just as the novel has had a great impact on cinema as well. One example, not mentioned in this book, would be Gatsby's 'green light' which surely shed some of its illumination on Charles Foster Kane's Rosebud. So given that "Why It Endures" is part of this book's subtitle, I'd much rather have read some analysis from Maureen Corrigan as to how film adds to that endurance rather than, for example, the overly detailed history of the ASE. Likewise with the often-mentioned but never discussed ballet. I really did not want to have to google it - but since, for whatever reason, nothing of it was to be found in this book, I did, indeed, resort to google.SO WE READ ON is definitely a rewarding and worthwhile read. But be forewarned: iceberg ahead! "So we beat on..."

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So We Read On: How the Great Gatsby Came to Be and Why It Endures PDF

So We Read On: How the Great Gatsby Came to Be and Why It Endures PDF

So We Read On: How the Great Gatsby Came to Be and Why It Endures PDF

So We Read On: How the Great Gatsby Came to Be and Why It Endures PDF

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